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Dr. John E. Harnish
Senior Pastor
Celebrating Charles Wesley's 300th Birthday:
1. Charles Wesley's Bones

Sermon:
July 8th, 2007
Morning Services

Scripture:
Psalm 98

Harry Binford is one of those folks who periodically tried to improve my preaching.  Harry is a member of the Ann Arbor church, a retired nautical engineering professor who, well into his eighties, still walks three miles each way to his office every day, rides his bicycle and scuba dives! He is also an expert on Gilbert and Sullivan operettas and has written the definitive Gilbert and Sullivan lexicon of all the esoteric images and figures of speech in the operettas. 

Every now and then, he would send me clippings from British newspapers, passed on from friends in England, concerning the doings of British Methodists. Once he sent me an article entitled “Charles Wesley’s Body on the Move.” I filed it and figured it would make a pretty good sermon title some day. So here it is. The article reports: 

More than two centuries after his death, the great Epworth-born hymn writer, Charles Wesley, may be on the move again. 

It seems his actual burial place is now beneath the playground of a school which is planning to expand. There is a statue of Wesley on the grounds and lots of folks think he is buried there, but he’s not. He is under the playground…which itself is a bit interesting! Now that the playground is going to be dug up, Wesley’s bones are being moved to holier ground. 

So Charles Wesley’s body is on the move. 

I like that. I hope it’s true. I hope his body, the Methodist Church, is on the move. Still, if you want to find Wesley’s bones, you’ll find them in his music. In his bones are those core themes which ring throughout Methodism. You can hear the song of God’s grace, the music of the spirit, the good news for the world. 

Had Charles Wesley written only two hymns, “Christ the Lord is Risen Today” and “Hark! the Herald Angels Sing,” he would be recognized as one of the greatest hymn-writers of all time. But in fact he wrote over nine thousand poems and hymns, many of which are still sung today. On the American frontier, the hymns of Wesley carried the witness of the “singing Methodists” to every village and town.

Those bones…the basic themes which run through his music…begin with a song of God’s grace. 

1. His hymns celebrate the wonder of God’s grace. 

One of the over-arching themes of Methodist hymns is the sense of wonder, amazement and gratitude at God’s love: “Love divine, all loves excelling, joy of heaven to earth come down.” Charles Wesley was simply amazed by the grace of God. 

You see, he had tried everything else, every other way to earn God’s love. He had tried the path of disciplined living in the Holy Club at Oxford with disciplined devotion, serving, studying and praying. They were so methodical, in fact, that they were nicknamed “Methodists,” and the name stuck! He had tried the path of missionary service in America, which ended in disgrace and despair. He had tried the path of academic theological pursuit and ordination. He had tried it all. Then he discovered the miracle of God’s redeeming, saving love in Jesus Christ as a free gift.  Charles never lost his sense of wonder at God’s amazing grace. 

One of his greatest hymns has always been sung on both sides of the Atlantic to a tune with a stirring, almost martial beat: 

And can it be that I should gain an interest in the Savior’s blood!

Died he for me? who caused his pain! For me? who him to death pursued?

Amazing love! How can it be that thou, my God, shouldst die for me? 

He left his father’s throne above (so free, so infinite the grace!);

emptied himself of all but love, and bled for Adam’s helpless race.

’Tis mercy all, immense and free, for O my God, it found out me!

(UM Hymnal #363, “And Can It Be that I Should Gain”) 

Bishop Dwight Loder was Michigan’s Bishop when I began my ministry here. He was a great church leader, an outstanding preacher and theologian, a saint of the church. Even in his old age, his quick mind and sharp wit came through. I remember hearing him say in his later years, with a twinkle in his eyes: “I am amazed by life. I am even amazed on the golf course. If I hit the ball, I am amazed. If it stays on the fairway, I am amazed. And if it actually goes in the hole, I am filled with wonder and amazement.” 

Charles Wesley would understand. This song of praise, this awe at God’s grace, is central to Wesley’s hymns and central to our worship—a sense of wonder at God’s love, God’s salvation, an overwhelming amazement at God’s goodness. 

“Amazing love! How can it be? That thou, my God, shouldst die for me?” 

Well, they are digging up Charles Wesley’s bones, and when they do, they will find a wonder and amazement at God’s grace. That wonder, that love, propels us for ministry in the world. And that is the second theme of Wesley’s music:
 

2.  A passion for the world 

Ours is not an esoteric, otherworldly religion; not just a deeply-felt spirituality or a warm, fuzzy theology; not a mystical moment, or just an emotional experience of passionate praise. In Wesley’s theology, awe and wonder are always coupled with a passion for the needs of others,  the burning desire to share the love of Christ with the world. 

Hymn #650 expresses his desire to use every moment and every means available to share the Gospel, and to focus his life, to use every moment, in the service of those who have not yet come to know of God’s grace: 

I would the precious time redeem, and longer live for this alone,

to spend and to be spent for them who have not yet my Savior known;

fully on these my mission prove, and only breathe, to breathe thy love.

(UM Hymnal #650, “Give Me the Faith Which Can Remove”) 

I don’t know how better to illustrate it than in this church, this summer: 

  • At the same time as our dynamic Vacation Bible School here, our youth were touching the lives of AIDS patients in Africa.

  • At the same time as our warm-hearted worship here today, our choir members are sharing their song with others in Eastern Europe.

  • Even while we were enjoying our fellowship in this house, members of our congregation were building a new Habitat for Humanity house for another family.

  • And next month, this space we claim as our spiritual home will, for a week, become home to homeless families.

Wonder in worship coupled with a passion for the world. 

They are digging up Charles Wesley’s bones, and when they do, they will discover the theme of grace coupled with a passion for the world, and they will find… 

3.  A love for the body, the fellowship, the community of faith 

The hallmark of Methodism as a movement was this deep, abiding sense of community. Early Methodism grew not in sanctuaries and cathedrals, but in kitchens and sitting rooms, societies, bands and class meetings. Like today’s small groups and AA meetings, they gathered believers in a fellowship connected by love. 

That theme is important for United Methodists today. We are approaching another quadrennial General Conference in 2008. Maybe we are fortunate it only happens once every four years. The last one in 2004 ended on a contentious note, with some groups even suggesting schism—deep divisions tearing at the fabric of the fellowship. But the good news was the final action at the end of the conference, a resolution written as a witness to our oneness, even amid our divisions: 

As United Methodists, we remain in covenant with one another, even in the midst of disagreement, and affirm our commitment to work together for our common mission of making disciples through the world. 

As United Methodists, we are not all of one mind on many issues. Yet like conjoined twins, we may fight and argue, but in the end we are bound together and will learn to live or die together, realizing that the mission of the church is greater than our differences and divisions. 

Of course, Wesley would have written a hymn about it. 

Hymn #562 must have been written after a particularly contentious conference like this one. It is a prayer for peace within the body, unity over strife, and love within our common life: 

Jesus Lord, we look to thee; let us in thy name agree;

show thyself the Prince of Peace, bid our strife forever cease.

 

By thy reconciling love, every stumbling block remove;

each to each unite, endear; come and spread thy banner here.

 

Free from anger and from pride, let us thus in God abide;

all the depths of love express, all the heights of holiness.

(UM Hymnal #562, “Jesus, Lord, We Look to Thee”) 

And again, I’ve seen it here. Haven’t you? In fellowship groups and Wesley groups, in choirs and circles, in prayer teams and book groups, we experience the power of the community which binds us together in love, deeper than our deepest divisions and differences, one in Jesus Christ. 

Well, they are digging up Charles Wesley’s bones. His body is on the move again and I hope this body is on the move, too. Deep in Wesley’s bones—in our bones—I hope our life together will be marked by: 

·        The wonder of God’s amazing grace

·        A passion for the world

·        And a love for the body, the fellowship, the community of Christ 

Charles Wesley’s epitaph might well have come from the last line of one of his hymns… 

Happy, if with my latest breath I may but gasp his name;

preach him to all and cry in death, “Behold, behold the Lamb!”

(UM Hymnal #193, “Jesus! the Name High over All”) 

May it be ours, as well.


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